At the beginning of my journey as an artist, I did not look for any special plastic language but studied Old Masters’ painting techniques. My priority was to show materiality and three-dimensional spaces. However, the more my skills improved, the more I started to think about thoughts and feelings I wanted to express.

In the search for the theme that would let me reveal all the creative potential, I dealt with historical, religious, mythological subjects, and acute social issues. Now I try to use centuries’ experience in painting techniques to show the power of realism and depth of eternal philosophic thought.

Today, the main goal for me is the study of human, its essence and nature. The “naked body” is the starting point of this cognitive process. During the learning phase, I understood the importance of anatomy and body plastics for aesthetic perception. Therefore, in my work I pay attention to textures, the bone base structure and shape. I strive to bring the perception of the naked body to the illusion of tactile sensation. Another important aim is to fulfill the image with inner content, spiritualize it and endue it with psychological features.

I found my art sharply negative but pleasantly wonderful capable of awaken dark emotions and thoughts.